Author:Alan Moore Binding: Paperback Published: 1995-04-01 ISBN: 0930289234 Availability: Usually ships in 24 hours
Avg. Customer Rating: 4.5 / 5.0
"A good read"
"overrated glorified comic book"
"Great reading - abrupt ending"
"A highly engrossing work of art"
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Editorial Review:
This Hugo Award-winning graphic novel chronicles the fall from grace of a group of super-heroes plagued by all-too-human failings. Along the way, the concept of the super-hero is dissected as the heroes are stalked by an unknown assassin. One of the most influential graphic novels of all time and a perennial bestseller, WATCHMEN has been studied on college campuses across the nation and is considered a gateway title, leading readers to other graphic novels such as V FOR VENDETTA, BATMAN: THE DARK KNIGHT RETURNS and THE SANDMAN series.
Has any comic been as acclaimed as Alan Moore and Dave Gibbons' Watchmen? Possibly only Frank Miller's The Dark Knight Returns, but Watchmen remains the critics' favorite. Why? Because Moore is a better writer, and Watchmen a more complex and dark and literate creation than Miller's fantastic, subversive take on the Batman myth. Moore, renowned for many other of the genre's finest creations (Saga of the Swamp Thing, V for Vendetta, and From Hell, with Eddie Campbell) first put out Watchmen in 12 issues for DC in 1986-87. It won a comic award at the time (the 1987 Jack Kirby Comics Industry Awards for Best Writer/Artist combination) and has continued to gather praise since.
The story concerns a group called the Crimebusters and a plot to kill and discredit them. Moore's characterization is as sophisticated as any novel's. Importantly the costumes do not get in the way of the storytelling; rather they allow Moore to investigate issues of power and control--indeed it was Watchmen, and to a lesser extent Dark Knight, that propelled the comic genre forward, making "adult" comics a reality. The artwork of Gibbons (best known for 2000AD's Rogue Trooper and DC's Green Lantern) is very fine too, echoing Moore's paranoid mood perfectly throughout. Packed with symbolism, some of the overlying themes (arms control, nuclear threat, vigilantes) have dated but the intelligent social and political commentary, the structure of the story itself, its intertextuality (chapters appended with excerpts from other "works" and "studies" on Moore's characters, or with excerpts from another comic book being read by a child within the story), the finepace of the writing and its humanity mean that Watchmen more than stands up--it keeps its crown as the best the genre has yet produced. --Mark Thwaite
Customer Reviews:
Avg. Customer Rating: 4.5 / 5.0
A good read I found this book at target and i have to say that at first it overwhelmed me a little bit. After about an hour i couldn't stop reading it. It is very suspenseful. The ending totally blew my mind.
overrated glorified comic book What's all the fuss about? This may be a landmark among comic books, but as far as stories go it's pretty unremarkable--not to mention its 1980's cold war story is quite dated. Since most of the book is taken up by cartoonish drawings there's little room for things like character development or depth. If you like comic books, by all means pick this one up. But if you like reading novels don't bother.
Great reading - abrupt ending As my title suggests, I found the book to be a gripping page-turner. For that reason I with-held a five-star rating - only because I found this book to be hard to put down, until the last chapter, when everything is wrapped up with a fairly deflated climax. Anyone who's studied composition knows the climax should occur a wee bit before the finale, but in this case everything just sort of shuts down right at the end. Other than that, one of the most gripping pieces of illustrated fiction I've ever seen!
A highly engrossing work of art One thing I really, truly like about Watchmen, that sets it apart from other works of superhero fiction, is the way it treats its heroes. They, on the most part, are fully aware of how silly dressing up in a theatrical costume and running around fighting crime is, and the more sane amongst them treat the enterprise as very tongue-in-cheek. With the exception of one hero they have no powers, and thus distinguishing between one hero or heroine and the next becomes highly character-driven rather than "oh he's... more info
